Jones was asked to take part in the Houseguest series with the Hammer Museum where artists are invited to curate an exhibition based on the museums and UCLAs diverse collection. During his time in the archives he came across an image which stuck in his mind that of a wounded guerrilla fighter taken by Pedro Meyer in Nicaragua in the early eighties. Constrained by the physical space of the Vault Gallery, Jones let the image of the guerrilla fighter become a blueprint for selecting the 45 pieces in the exhibition. The book confronts two conflicting questions, how is it possible to make an image of revolution, and, how is it possible to make a religious image? Through the diverse range of objects chosen and his text Jones challenges our perception of Christ, posits him as a revolutionary, examines the parallels between revolution and religion and the role of religious imagery in art. Including Renaissance and Baroque prints and drawings, documentary photographs, modern Latin American art, and rare books. The materials were drawn from the collection of the Grunwald Center for the Graphic Arts at the Hammer Museum and from the Charles E. Young Research Library Department of Special Collections.